Seaside Town Villas
Location: Sorkhrud, Mazandaran Province, Iran
Architect: Mohamad Rahimizadeh
Material: Concrete
Design date: 2021
Site area: 48000m2
Built area: 33000m2
Studio: Kalbod Design Studio
Design Team: Mohamad Rahimizadeh, Nasrin Eghtesadi, Atefeh Ramezankhani, Zahra Tavasooli, Yahya Basam, Sara Rajabi, Maedeh Moalemi, Atefeh Zolfaghari far, Fatemeh Osanloo, Mohammadreza Ghasemi, Parnian Hasanpour
Story:
Text provided by the architects:
This project is designed in a 48000 m² land & includes 71 villa units (including 6 main types).every villa´s land is about 500 m² all of them are formed in 3 floors & have an area of 450 m². this project is designd in may 2021 & the construction began in february in the north of the iran & is set to end the next 2 years.
we researched about the climate & tried to find a way to use air circulation for decreasing hiumidity by spacing villas. Also the rotation of volumetric masses has been formed due to have wider perspective.
In this project, with the help of volume’s rotations, all villas benefit from suitable views and lots of perspective. Neighbors do not have view to one another.(they turn their back on each other.)While each unit is formed in the relation to it’s neighbors and together they form a coherent and unit puzzle, in such a way that if even one villa is removed from the site, the coherence of the complex will be lost.
In creation of an architectural plan of the seaside town, with consideration of facing a set of volumetric masses; at the beginning, our confrontation with volumes was in a narrative way as if volumes are figures which were formed in the reaction of one another and also the formation of surfaces has been abstracted from the social interaction of their masses.
the rigidity of the back of the buildings has been following the same scenario of the volumes interaction (in order to blockighbor ’s view to the inner space).
sometimes we needed the communication and also the integration so surfaces forms in the response to the forces spread by their neighbor ‘s form (like the rhythm of the middle boulevard walls or the ceiling’s slope orientations which should all have a unitized and coherent narration behind).
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